SEACHONKS Lost Art
Episode 07 · 22:00 · Making it

Pages

A plot: Chonksy writes and directs for the first time.

B plot: the secret crew assembles.

C plot: Platrick and Ink. Plus the Watcher is introduced.

Heart beat: Gotter says "Action" (Scene 14).

Read the script →

COLD OPEN

1. INT. CHONKSY'S APARTMENT · 3 AM · A

  • He uses the sitcom method: one line on a legal pad, rewritten forty times.
  • Chonksy: "It's worse." Rewrites. "It's worse." Rewrites. "It's better." Squints. "…It's the first one."
  • Button: by dawn he has one page. He looks at it the way people look at newborns.

ACT ONE

2. INT. CHUMPY'S APARTMENT · B

  • Chumpy becomes a real producer and builds a budget on a cracked shell tablet. Line items: SNACKS 60%. SET 20%. CAMERA 15%. EMOTIONAL SUPPORT 5%.
  • Chonksy: "We don't have a budget." Chumpy: "This is the budget's vibe."

3. INT. SEAVER'S WORKSHOP · B

  • Chonksy hands Seaver the pages. Seaver reads them the way he inspects a load-bearing wall.
  • Seaver: "Structurally speaking…" A long pause. "…it's the first thing I've read that holds." He puts on a hard hat. He's in.

4. INT. CRAFT SERVICES · B

  • Seabear: "In Arctic Shelf we have saying: a bear who only eats other bears' fish is not bear. Is raccoon." Chonksy: "Is that a yes?" Seabear: "I am not raccoon."

5. EXT. LOT · B

  • Sea Panda Kid finds out and talks his way in through blackmail: "I'm FIFTEEN. Nobody can fire me. I don't have a job. That's leverage."
  • Chumpy: "What's in the backpack?" Sea Panda: "That's need-to-know." (It's snacks.)

6. INT. ABANDONED WAREHOUSE · NIGHT · B/C

  • Ink arrives smuggled in a laundry cart. She runs camera, lights, boom and slate at once with her eight arms.
  • Platrick runs sound. Platypus electroreception means he can hear everything, including Ink's heartbeat through the mic, which speeds up whenever he talks.

ACT TWO

7. INT. WAREHOUSE · BUILDING · B

  • Seaver builds a western saloon out of studio scrap. Seabear does a stunt off a ladder onto mattresses, insists on doing it again, then does it nine more times. He just likes it.

8. INT. WAREHOUSE · FIRST SHOT · A

  • Everyone waits for Chonksy. He doesn't know how to say "Action."
  • Chumpy: "You just say it." Chonksy: "It feels illegal." Chumpy: "It is illegal." Chonksy: "…Action." Nobody moves. "That's you, Seabear." Seabear: "Oh! I was so moved."

9. INT. WAREHOUSE · SHOOTING MONTAGE · B

  • The boom is in the shot. Ink's slate claps someone's nose. Seabear cries during his own stunt. Chonksy watches the monitor for the first time and sees something nobody else in the city has seen in sixty years: something new.

10. INT. WAREHOUSE · LATE · C

  • Platrick and Ink share one pair of headphones under a work light and listen to the day's audio. One tentacle curls around his paw. A tiny ink heart floats up.
  • Ink: "You can hear my heartbeat through this?" Platrick: "Cool cool cool… yes." Ink: "What's it doing?" Platrick: "…Cool stuff."

11. INT. PRESS JUNKET · DAY · A

  • Chonksy does the SPACESHARKS press. Reporter: "What's your process?" Chonksy: "I copy." The reporters write it down like it's profound.

12. INT. JUNKET GREEN ROOM · A/B

  • The Orca: "You look tired, sweetheart. Good. Tired means busy." He squints. "…Busy with what?" Chonksy: "Lines." Orca: "Whose?" Chonksy: "…The movie's."

ACT THREE

13. EXT. BACK ALLEY · NIGHT · B

  • Chumpy jogs film cans across town. He is, technically, getting in shape. His phone rings. Chumpy: "Mom. I'm jogging." Silence on the line. Mom: "…Are you in trouble?"

14. INT. WAREHOUSE · A · ♥ heart beat

  • Gotter appears in the doorway, frail. He watches them shoot and starts to cry.
  • Chonksy: "Do you want to…?" Gotter shuffles to the camera. Very quietly: "…Action."
  • He hasn't said it in sixty years. Nobody makes a joke. Even Seabear stays quiet.

15. INT. WAREHOUSE · WRAP · B

  • Seaver puts his paw on the finished set. "It's the first thing I've built that isn't a copy." He doesn't let go for a while.

16. EXT. STUDIO LOT · 3 AM · A

  • Seapholk stands alone under a streetlamp, sonar rings rippling out. Across town, one warehouse window glows.

TAG

17. INT. SEA SI OFFICE

  • Introduce the Watcher, a tired walrus agent newly assigned to "ambient studio noise."
  • His log: "Subject laughing. Possibly suspicious. Possibly I'm lonely."

ON THE CURRENT

21. REMAKE CLIP: "SAD MEN" · slot: after Scene 11

  • The ad-agency drama remake. The famous title sequence: Chonksy in a sharp suit falls in silhouette past skyscrapers, through clouds, totally unbothered, lounging mid-fall with his paws behind his head. (A callback to the Chonksy Falls video.)

22. THE CITY WATCHING: DENTIST & ELEVATOR · slot: under Scene 13

  • A dentist's office: a patient with his mouth clamped open laughs at Sad Men on the ceiling TV. The dentist, a crab, waits.
  • An elevator: two strangers watch the elevator screen's Sad Men clip, then pretend they weren't.

SHOWRUNNER PASS · WORLD-TRUE (new scenes)

Tests: true to the world, funny, interesting. See WORLD.md.

30. FLASH-FORWARD: THE BOWLS · before Scene 1

  • Desaturated, wordless. A long table in an empty tent. A row of soup bowls has stopped bubbling. One spoon sits in a full bowl.

1b. NOTE: SILENT COLD OPEN · Scene 1

  • Play the 3 AM writing scene almost wordless: ninety seconds of pencil on kelp paper, crumpling, a paper ball that floats up to the ceiling and joins forty others up there like a sad mobile. Dawn. Keep only the final "…Hi."

31. INT. WAREHOUSE · SEABEAR'S NINTH STUNT · during Scene 7

  • Seabear does a polar-bear belly flop through a sheet of ice. Then again. Nine takes. On the ninth, Chonksy, for the first time in his life, says it: "Cut." Everyone freezes. Seabear, climbing back up: "…But I like it." Chonksy: "I know. We have it. It's good. Cut."
  • Seabear: "In Arctic Shelf, nobody tells you good and stop. They only say stop." He climbs down, moved. The director has arrived.

COMEDY PASS · STAKES & LAUGHS

Engines from Seinfeld, Bernie Mac, Gillis, Rock, Farley and the bench. See COMEDY_PASS.md.

STAKES: exposure on live Current at the junket; Seabear's uninsured stunts. CLOCK: wrap before the Sea SI moves. PRICE: Seabear's back.

40. THE REHEARSAL · Scene 5, before the first day · Fielder

  • Chonksy has never told anyone what to do. So, alone in the warehouse, he builds a full-size cardboard replica of the set and casts an inflatable pool-toy orca in a bathrobe as the boss, then rehearses saying "Action."
  • "Action." "Action." "Action!" "Action?" Chumpy, holding a box painted like a camera: "That one was a question." "Directors can ask questions." "Not that one."
  • On the fortieth take, the inflatable orca slowly deflates, folding forward onto the cardboard desk, as if it's bowing. Chonksy (moved): "…Thank you."

41. VISIONS ARE FREE · Scene 2, Chumpy's apartment · Rock

  • Chumpy, horizontal on the couch, the sermon of his life: "Everybody's got a vision! My mom's got a vision! The guy who sells clams has a VISION! Visions are free! You know what costs? Getting OFF the couch!" (beat) "And I'm not getting off the couch. I'm the vision guy. Every crew needs a vision guy. On the couch. Believing."
  • Long beat. Chumpy gets off the couch. It takes three tries. He rolls a cart toward the door. ★ heart beat, played silent

42. THE PROVERB · Scene 4, craft services · Norm Macdonald

  • Seabear starts an Arctic Shelf proverb. It goes ninety seconds: a lonely walrus, a doctor, a long winter, a light in the window. The whole crew leans in. Seabear: "…And walrus says: 'I came because light was on.'" Silence.
  • Chumpy: "That's from a tape." Seabear (wounded): "…Is Arctic Shelf tape." Even the proverbs are copies. Everyone in this ocean is doing someone else's bit.